Brand photography and visual strategy

structured for marketing, advertising, hospitality, and growing brands.

Projects are developed with campaign clarity, shot architecture, and long-term usage in mind - ensuring cohesive visuals across websites, digital advertising, and social platforms.

Logos of various publications, including The New York Times, Vogue Australia, Princeton Alumni Weekly, Women's Weekly, and Downtown Magazine NYC.

As Seen In

Production Scope

• Lifestyle brand imagery
• Product and e-commerce photography
• Hospitality marketing visuals
• Campaign and launch production
• Ongoing content partnerships

Production Process

Each engagement begins with creative alignment and shot planning. Location strategy, lighting design, and deliverables are defined in advance to maximize efficiency and visual consistency.

Investment

Usage licensing for extended advertising is available upon request.

REQUEST A QUOTE
VIEW PROJECTS
A woman with curly hair wearing multiple jewelry pieces, including rings, necklaces, bracelets, and earrings, smiling and touching her shoulders.
A woman with curly hair wearing multiple necklaces, earrings, and rings, and a black top, posing with her hands crossed over her shoulders.
Close-up of a woman's ear with a long, multicolored earring featuring green and brown tones, and a silver ring on her finger with horizontal bars. She is also wearing a black beaded necklace.
A woman with curly hair wearing multiple necklaces and rings, smiling, with her arms crossed, against a neutral background.
Close-up of four hands with various gold and silver rings and bracelets, touching each other.
A man sitting on a stool smiling in a woodworking workshop filled with wood and tools.
A man in a black t-shirt and backward baseball cap working in a woodworking shop, examining a piece of wood on a workbench surrounded by woodworking tools and finished wood pieces.
A person plans a woodworking project on a piece of light-colored wood, utilizing a black Hand-held router tool, with wood shavings seen around.
A man in a black t-shirt and a backward gray cap works on a woodworking project in a workshop near a large window.
A young man in a gray t-shirt and baseball cap stands at a woodworking table inside a bright workshop, holding a cylindrical container in his right hand.
Woodworking lathe carving Morse code dots and dashes into wood block.
Close-up of elderly person's hands kneading dough on a floured surface in a kitchen.
A person making cheese by hand in a traditional cheese vat.
Several freshly baked breadsticks cooling on a wire rack.
A man with a beard and earrings sitting at a bar, reading a menu. There are glasses of water and silver measuring cups on the bar counter, and a bartender in the background.
Person holding a grilled burger with a smiling face drawn with grill marks on the bun.
A chef wearing a black cap, white uniform, and smartwatch, slicing a tomato in a commercial kitchen.
A variety of appetizers and dishes on wooden and ceramic plates, including small sandwiches, salads, stuffed vegetables, mini burgers, skewered meat, pastries, and desserts, arranged on a table with decorative doilies.
A glass of dark cocktail with a large ice cube, garnished with a black cherry on a satay stick, on a green surface.
A wooden table with a pink plate holding a slice of cake, a fork, a cup of espresso, an open magazine with images of food ingredients, a colorful drawing of a woman with a ball, and another page with a woman dancing in traditional dress.
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A person with short brown hair and a beige shirt arranging dried flowers in a glass pitcher on a beige surface among various bowls and containers.
A cluttered kitchen or studio space with dishes, jars, and a vase of dried flowers on a metal table, with hanging scarves or textiles in the background.
Person organizing two sets of orange knitted socks on a white surface.
Set of colorful wool socks arranged in a row, with a single pair of patterned socks to the right, all wrapped with paper labels.
Person using scissors to cut fabric-wrapped wire cables on a work surface.
Person folding three rolled-up towels in navy blue, burnt orange, and blush pink on a white surface.
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Woman sitting on a red couch holding a laptop and flyers, surrounded by packed moving boxes in a bright room.
Close-up of packed boxes labeled ZIPTOZIP MOVING. Blurred person carrying boxes in background.
Person packing books into a large cardboard moving box labeled "ZIP TO ZIP MOVING" in a room with wooden furniture and bookshelves.
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Young woman sitting among moving boxes, holding a clipboard, smiling, with a red sofa in the background.

  • Dimitri is kind, authentic and extremely talented! We had a blast working on colorful photos of life inside and outside my studio.

    Linda B

  • "Dimitri was amazing, he made me feel so comfortable and the photos turned out better than what I could’ve hoped for! I couldn’t recommend him enough!!"

    Bianca B

  • “Fun process, an excellent outcome! I'd highly recommend working with Dimitri! ”

    Maegan G

  • “Dimitri is very friendly and professional, and most importantly he's an incredible artist!.”

    Yotam O

  • "I'll continue to work with this guy for as long as I need photos done. Great job, D!!!.”

    Kevin J

  • "Dimitri was a pleasure to work with. He produces good quality work and is very professional and responsive."

    Rene A

  • Dimitri was so fantastic to work with! I knew our visions aligned from the first phone call. The shoot itself was so enjoyable and fun. Thank you again Dimitri, we could not be happier with the results. Highly recommend!!!!

    Cate B

  • Dimitri was very professional and the photos came out great. I'd never done a shoot like this, but he walked me through the photography process. If you like the photos on Dimitri's website, I highly recommend!

    Chad B

  • “I highly recommend him. Nice guy and great photos!.”

    James S

A Structured Production Process

From the first conversation to the final delivery, every project is shaped by clarity: what the images need to communicate, where they will be used, and how the production should proceed.

SHARE THE SCOPE

Send the project type, intended use, timeline, location, and any visual references.

You’ll receive a clear estimate outlining production needs, usage considerations, timeline, and recommended next steps.

RECEIVE A STRUCTURED ESTIMATE

let’s Discuss Your next Photography Project

Once approved, we align on creative direction, schedule, shot list, logistics, and final deliverables so the shoot moves efficiently and intentionally.

PLAN THE PRODUCTION

If you’re planning a portrait session, corporate production, commercial shoot, or interior documentation, share your scope and timeline to receive a structured estimate.

Request a Free Quote

Frequently Asked Questions

  • I photograph brand campaigns, lifestyle imagery, product features, hospitality, and corporate marketing visuals for websites, ads, social media, and print across NYC.

  • This work is designed for brands, agencies, founders, and in‑house marketing teams who need consistent, on‑brand visuals for campaigns, launches, and always‑on content.

  • Every project starts with a creative call to align on your goals, target audience, shot list, locations, and usage needs so the shoot supports specific campaigns and deliverables.

  • Yes, I'm comfortable collaborating with art directors, producers, stylists, and in‑house marketing teams, and can step in as either lead photographer or part of a larger production.

  • I photograph on location at offices, studios, restaurants, hotels, and public spaces across New York City, and can recommend rental studios or locations based on your brief.

  • Commercial pricing typically covers pre‑production, shoot time, a curated set of edited images, and licensing tailored to how and where the imagery will be used across your channels.

  • For campaigns and larger productions, booking 3–6 weeks in advance allows time to align on creative, secure locations, and coordinate teams, though rush projects may be possible depending on availability.